FJK 071

Tintoretto Jacopo (Jacopo Robusti) (Italian, Venice 1518/19–1594 Venice)

Nude Study Seen From Behind, with Left Arm Raised, After a Sculpture by Jacopo Sansovino (recto)
Two Nude Studies, with Left Arm Raised (verso)

ca. 1540-1550 (?)
15 53/64 × 10 15/32 in. (402 × 266 mm)

Medium
Charcoal with white highlights on paper

Origin

Dr. and Mrs. Victor Bloch Collection, London
Sale, Sotheby’s, London, November 12, 1964, no. 114
Private Collection
Sale, Christie’s, London, April 3, 1984, no. 57
Jan Krugier Collection, Monaco, JK 3870
Jan Krugier Foundation

Bibliography

WEIHRAUCH H.R., Europaïsche Bronzestatuetten 15.-18. Jahrhundert, Brunswich, 1967, p. 463, pl. 552 (recto).

KRISCHEL Roland, Tintoretto e la scultura veneziana, Venezia Cinquecento. Studi di storia dell'arte e della cultura, 6, 1996, no. 67.

KRISCHEL Roland, Jacopo Tintoretto 1519-1594, Cologne: Könemann Verlagsgesellschaft, 2000, p. 100, fig. 88.

MENIN MURARO Giuseppina, PUPPULIN Daniela, Settimo e Ottavo Incontro in Ricordo di Michelangelo Muraro, 15 maggio 1998 e 1999, Sossano: Giovani Editori, 2000.

ILCHMANN Frederik, Tintoretto: pensare e disegnare in grande, pp. 58-59, fig. 8.

Exhibitions

Berlin, Kupferstichkabinett, Staatliche Museen zu Berlin - Preussischer Kulturbesitz, Linie, Licht und Schatten. Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski, 1999, p. 40, no. 13, color ill. p. 41.

Venice, Peggy Guggenheim Collection, Solomon R. Guggenheim Foundation, The Timeless Eye. Master Drawings from the Jan and Marie-Anne Krugier-Poniatowski Collection, 1999, p. 82, no. 34, color ill. p. 83.

Madrid, Museo Thyssen-Bornemisza, Miradas sin Tiempo. Dibujos, Pinturas y Esculturas de la Coleccion Jan y Marie-Anne Krugier-Poniatowski, 2000, pp. 96, 98, no. 33, color ill. pp. 97, 99.

Paris, Musée Jacquemart-André, La Passion du Dessin. Collection Jan et Marie-Anne Krugier-Poniatowski, 2002, p. 92, no 34, color ill. p. 93.

Request for information/loan

The Jan Krugier Foundation is devoted to increasing the impact of the collection of drawings through regular loans to major exhibitions. Loan applications should include a complete presentation of the project.